In some ways, they're the opposite of Leia and Han, with Jyn the roguish heroine with a spotty reputation and Cassian the tried-and-true Rebel with a Cause. Jones and Luna are wonderful as Jyn and Cassian, both of whom have complicated pasts. While there have been plenty of rumors about the characters and events in this stand-alone "bridge" between Episode III and Episode IV, the reality is that this story is very much in keeping with that you'd expect from that precarious moment when the Empire was basically at its most powerful. For decades, devoted fans have wondered why the Death Star had a design flaw that the Rebel Alliance could even think about exploiting. The weapon is the diabolical project of Orson Krennic (Ben Mendelsohn), the film’s deliciously evil, lisping-threat villain.This is the Star Wars story you were looking for but may not have even known it. When Rogue One opens, the Death Star is just a rumor - a game-changing what-if that has the Rebels terrified. Played by Felicity Jones, Jyn Erso is the long-lost daughter of a famous scientist, Galen Erso (Mads Mikkelsen), who helped the Empire build the secret planet-destroying weapon known as the Death Star. Like all of the best heroes, she’s a reluctant one, nudged onto her journey’s path by fate. As in The Force Awakens, our hero this time out is a strong young woman searching for answers. And it opens up a world of cinematic possibilities moving forward.
When you think about it, that’s pretty exciting. This is a whole new stable of characters operating on the fringes of the world we know by heart. Han Solo’s not here, Luke’s not here, Obi Wan’s not here. Rogue One isn’t part of the central saga, it’s a side story - a gnostic sci-fi gospel (hence no opening crawl). And he rewards it with Rogue One - a thrilling adventure that’s every bit as satisfying as The Force Awakens. Because that one tiny missing puzzle piece is the entire narrative for Rogue One.Įdwards, the director of 2014’s Godzilla, gets the obsessive need-to-know curiosity that the most rabid Star Wars fans have always had. But thankfully, they do keep up people like Gareth Edwards. One of the biggest was: How did Princess Leia come to possess the plans to the Death Star that she hides in R2-D2 at the beginning of that film? Where did they come from? How were they obtained? Were they stolen or turned over by a traitor? Granted, these may not be the questions that keep a lot of us up at night.
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But the thing about that movie was, the more you studied and dissected and parsed it, the more questions it raised. Of course, that was our introduction - our gateway drug - to Lucas’ world of Wookiees and droids and rebel heroes and imperial villains. The new film is set just prior to the original Star Wars ( Episode IV: A New Hope).
Rogue One: A Star Wars Story, the first stand-alone chapter in the franchise, tells one of those untold tales. There are no unanswerable questions, just untold tales - and unmade movies.
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It’s a thoroughly imagined universe full more obsessive details and arcane backstories than we can probably imagine. Every character, every planet, every plot point and technical spec seems to have been considered. The thing that has always made George Lucas’ “Galaxy Far Far Away” so unique is its richness.
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